Helen J. Orr just turned 24 and her profession is a combination of
freelance ski technician, graphic designer, illustrator, editor of two Toronto-based
magazines (Sidd and The Fly), writer (of sorts), and also dabbling in
film, photography. Currently lives in Vancouver, BC.
T. Winter Damon is a reviewer for Scavenger's Newsletter in
addition to being published in the following magazines: The Wire, American Garage,
CHAOS, Devil's Kiss, New Blood, Dreams & Nightmares, Supernatural Poetry, Red Lines
Magazine, Thumbscrew, The Kindred Spirit, and Trading Post.
Matthew Finch is a New York cartoonist and fledgling animator
currently residing at the Raskolnikov Arms SRO in one of the many quick-change
neighborhoods of that largely imaginary city. His political strip Reaganopolis runs
monthly in High Times; other work has been published by Processed World,
Harper's, The Bulletin of Atomic Scientists, Apocalypso, The War Resistors League and
Fantagraphics Books. Enjoys ink, scissors, and Nathalie Baye movies. Gets by on legal
proofreading. UGH.
Brian Lynch is a political refugee from the United States to
Canada during the turbulent sixties. Brian Lynch's vision expresses several cultural and
sub-cultural roots. Born in Oakdale, CA in 1944, he had fine art education at several
American colleges and universities, but he still considers his best teaches to be
'experience and the heart'. Lynch has had seven successful showing of his work during the
last three years, including the acclaimed Homo Erotica show at the Grunt Gallery
and the Recent Portraits exhibit in December at the Firehall Theatre Gallery in
Vancouver, BC.
Jessica Finney has an Ivy League background that included
fluency in three languages, as well as the reading of four others. Currently an Operations
Procedures Analyst with the Chicago Tribune, here background includes cartooning for Yale
and Princeton magazine and extensive work travel.
Chris Smith runs Visions/Chris Smith-a multimedia firm in
Seattle specializing in color photography, videotaping and music synthesis. He is getting
married this fall and I want to know the answer to this question: How can the groom
videotape his own wedding?
Lisa Rhodes has a vanity license plate that reads 'BLEAT'. What
more can I say, she's into sheep. Currently a medical photographer for one of Seattle's
hospitals, it is her hope to not have to go to Indianapolis for a permanent full-time job.
William Douglas never did get me his biography and
consequently it never appeared in the original issue of the magazine.
John Messerly never did get me his biography and consequently
it never appeared in the original issue of the magazine, but I do know he has several
patents under his belt.
This art first appeared in the Volume 3, Number 2 (Summer 1987) issue
of
Sign of the Times-A Chronicle of Decadence in the Atomic Age
For a copy of the issue that this art appeared in please use the on-line order form or email sott_backissue@unclemarkie.com
and ask for Volume 3, Number 2.
The cost is $5.00, plus $2.00 shipping and handling for each order.
©1981-1998 Studio 403. All rights reserved.
For reproduction or retransmission rights, please email sott_rights@unclemarkie.com.